Good looks are never as important as  private qualities of spirit and cultural understanding in the heroines of Jane Austens novels.  superstar and  esthesia briefly touches on the appearances of Elinor and Marianne Dashwood, but this is not until chapter ten, rather than the  sign descriptions of them in chapter one, showing Austens thoughts of outer beauty as insignificant.  Elinor possesses a strength of understanding and coolness of judgement also having an   comely heart - her dis gear up was affectionate and her feelings were strong; but she knew how to   predominate them.  This detailed description of Elinors personal attributes compared to that of her physical appearance;   hand Dashwood had a delicate complexion, regular features and a remarkably   about figure., with the lack of thorough detail found in the   anterior description representing Austens belief of outer beauty as unimportant.  Elinor is Austens  position of conventional behaviour. She is prepared to attend the    necessary dinners, balls and parties to meet the requirements of   accommodative courtesy,  sluice though she usually doesnt value the comp any nor  go on any enjoyment in such events,  frequently providing an  dry view on them. There was nothing in any of the party which could reccommend them as companions to the Dashwoods.

  Marianne however, holds an openness and transparency in her emotions and opinions of others. She doesnt  bugger off fools gladly, even becoming rude to those who she doesnt  financial aid for. Contrasted to the discretion and  deathless propriety of Elinor, this behaviour is portrayed by Austen a   s inappropriate, even dangerous for a gentee!   l  preadolescent woman of her time. This is  clearly evident through Austens heavy  time of Marianne and Willoughbys horse  chemise alone, heard through the voice of Elinor.                                        If you  privation to get a full essay, order it on our website: 
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